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Mentioned in NYTimes\n","Section":["Project"],"StartDate":"2016-12-12","MainPhoto":["recLdAev8ukH2fA80","recesEvmugoUmdoM7","recWqwRnRu9jTUEmi","rechAu6bi5AFiKkVf","recxyvUhIUcf49dSS"],"ProjectOrder":1,"Video":"https://youtu.be/AEHF0kxa9fY","GalleryOrder":1,"GalleryPhoto":["recLdAev8ukH2fA80","recIPhm7g1Wj7jawU","recOUvRqhgUISDILd","recesEvmugoUmdoM7","rechAu6bi5AFiKkVf","recWqwRnRu9jTUEmi","recnMRpCcE0TKMUqG","recxyvUhIUcf49dSS","recUsn6msqcMySmGl","recjSlY8XCzqcPR4K","recmwi0XLPMYPhH17","recD7N5aBEoTp9y97","recVEv6FJ0t1MGhZU"],"ShowInGallery":true,"ArtType":"Installation","ShortDescription":"Somatic sound experience blending live air traffic control radio with generative synthesizers","MediumDescription":"ATC Soundscapes is a participatory installation that merges live air traffic control (ATC) radio feeds with a procedurally generated synthesizer soundscape. The work is an invitation to explore deep listening for up to four participants at a time, who operate a toggle to switch between two simultaneous feeds. Listeners partake in the collective creation of a meditative and somatic composition, leveraging the efforts of communities who receive local air traffic control frequencies and rebroadcast them onto internet radio via liveatc.com. The global network of audio transmissions becomes a generative sonic landscape, bending and transforming various signals with resonant filter sweeps and binaural audio effects. \n\nCuratorial text written by Eileen Isagon Skyers, 2024\n","Associations":["recva9F2Bvfw7dO14","reckDDKfxYEpFzfih","recPKkDR3wnBSI3UG"],"City":["rec8uSJ38OPHUjT0K"],"Materials":"4 Edison light bulbs, 4 chairs with transducers, custom sound console, 4 Sony MDR-7506 headphones, Analog quartz clock(s), Raspberry Pi(s)\n","Events":["recfcPTh5y1KfdjrS","recoKiADhypx5rvoi","reciP9ABP0kyplPg7","recytx8dPWNgSwBNC"],"Press":["recuWoASlWwB4Q57Z"]}},{"id":"recELGVwCpJJZNPSO","createdTime":"2024-08-31T07:25:49.000Z","fields":{"Project":"Binaural Tuner","Notes":"An interactive sound installation exploring the psychosomatic effects of binaural note beating","Section":["Project"],"StartDate":"2024-01-20","MainPhoto":["recXuqrl5Qce7fVnm","recadGA8U5fIDR6cC"],"ProjectOrder":3,"GalleryOrder":2,"GalleryPhoto":["receY6XK3t5YbHwG2","recjPKV4XEPRDQ2hN","recadGA8U5fIDR6cC","recOC4Uw789JRr1lC"],"ShowInGallery":true,"ArtType":"Installation","ShortDescription":"Instrument to explore sound at a fundamental level","MediumDescription":"An instrument exploring sound at its more elemental level. Using four pure sine waves, hard-panned to the left and right speaker produce natural geometries based on the ratios between the note frequencies. \n\nVideo demonstration of the mouse-controlled instrument [here](https://youtu.be/ta2QElwUKRE). Use the (under-construction) instrument [here](https://binaural-tuner.glitch.me/).\n\n","Associations":["recybEFuRH0sUy48g","recfAYWnl09Cv8hXi","rec1o1IQFD0CmyvOX","recXV9E9SFEwf5pdM"],"City":["recUMQM8XImPamDXT","rec4bfT6PDvkbQzQG","rec4i8gbFcv2VKyTN"],"Events":["rec8haS8XLb0sgReg","recSHZaGcj4N53R14","reck50q0SQnUSqdqu","recsUtsM3Wp69GTvA"]}},{"id":"recGGyT1hWCp2v44J","createdTime":"2024-02-20T20:44:03.000Z","fields":{"Project":"Elegy for a Terrestrial Collapse","Notes":"An immersive audiovisual piece exploring different markers of concurrent timescales. Installed at SF Asian Art Museum, Spectra Studios (LA), and at Harvestworks (NY).","Section":["Project"],"Description":"Created during my time in Joshua Tree, the piece explores different markers of concurrent timescales – the golden hour marking the end of the day, the desert's cracked earth marking the start of a dry season, and the landscape of Landers marking our current epoch. \n--\nVisuals are created using Hydra () using feedback techniques on source footage I recorded in Landers, California. The audio is created with SuperCollider and TidalCycles. SuperCollider is creating the rhythmical sounds using granular synthesis techniques, and TidalCycles creates the piano sequence. The piece is created live, where the mouse controls the visual parameters as well as the granular synth sounds (percussive and vocal sounds).\n\nSource code for the piece: \n","StartDate":"2024-01-24","EndDate":"2024-05-05","MainPhoto":["recOC8uWHu3RJn7bj","recPYZbzsYV8TJ5hw"],"ProjectOrder":4,"Video":"https://youtu.be/LfUB34frkPg","GalleryOrder":6,"GalleryPhoto":["recW8eCetb3Qli8ls","recOC8uWHu3RJn7bj","recF7F4akGwPKAuLy","recPYZbzsYV8TJ5hw"],"ShowInGallery":true,"ArtType":"Immersive","ShortDescription":"Immersive audiovisual piece exploring concurrent timescales","MediumDescription":"Created during my time in Joshua Tree, the piece explores different markers of concurrent timescales – the golden hour marking the end of the day, the desert's cracked earth marking the start of a dry season, and the landscape of Landers marking our current epoch. \n\nVisuals are created using [Hydra](https://hydra.ojack.xyz/) using feedback techniques on source footage I recorded in Landers, California. The audio is created with SuperCollider and TidalCycles. SuperCollider is creating the rhythmical sounds using granular synthesis techniques, and TidalCycles creates the piano sequence. The piece is created live, where the mouse controls the visual parameters as well as the granular synth sounds (percussive and vocal sounds).\n\nSource code for the piece: [github gist](https://gist.github.com/dqgorelick/27167ba6eed02662f2f292bedac3c525).\n","Associations":["recYeHcfDta15qIsY","recd1HV76TEiA3Emj","recKBY42Vm1Dq3vLs"],"City":["rec4bfT6PDvkbQzQG","recN6S853TXIb4i4l","rec8uSJ38OPHUjT0K","recUMQM8XImPamDXT"],"Events":["recU4CSmGIcOjuRUj","recSHZaGcj4N53R14","recqQUroSHq38tiET","rec2IarFYhdvUCNob"]}},{"id":"recSXbWTQncdYIR8M","createdTime":"2024-03-02T20:12:08.000Z","fields":{"Project":"Counterpoint","Notes":"an interactive installation where participants can create music together by drawing lines","Section":["Project"],"StartDate":"2016-11-15","EndDate":"2017-05-05","MainPhoto":["recdyewHvekcCWteo"],"ProjectOrder":7,"Video":"https://youtu.be/oYTJQx81R1k","GalleryOrder":3,"GalleryPhoto":["reca9b8U8U00ps1Dk","recrL84ghsZsqZHRI","rectC3abYRTsopVlA"],"ShowInGallery":true,"ArtType":"Installation","ShortDescription":"Transforming line drawings into emergent counterpoint harmonies","MediumDescription":"Counterpoint is an instrument which transforms drawn lines into musical note patterns. The melodies are visualized on a projection where colored circles represent the patterns drawn, following the sequence in a sinusoidal path.\n\nThe installation celebrates collaboration between players to create more complex melodies comprised of multiple, concurrent note sequences. Players can draw lines on an iPad which rests on a music stand in front of the projection, or can add additional voices on their mobile devices.\n","Associations":["reckDDKfxYEpFzfih","recQJ3ybycnErqn3k"],"City":["rec8uSJ38OPHUjT0K","recUMQM8XImPamDXT"],"Press":["rec25iQzWZEGgcgA3"]}}],"Performance":[{"id":"recm0Ieuvj1BbaIfE","createdTime":"2024-08-15T22:08:35.000Z","fields":{"Project":"Computer Music Works","Notes":"Selected works created with livecode between 2019 and 2024:\nPublic Records show (soon)\nDadaLab set w/ Don\nPublic Visuals show\nMIDI Piano piece\nEulerroom sets","Section":["Performance"],"MainPhoto":["recTbLkBYhUSmxKpr"],"ProjectOrder":1,"GalleryOrder":5,"ShowInGallery":true,"ArtType":"Performance Series","ShortDescription":"Selected works from live-coding performances from 2019 to 2024","MediumDescription":"An on-going exploration for new ways to improvise and create performances on the fly using computation and livecode and other technologies. Every performance is a new exploration, as opportunities to experiment with a new tool or means of expression through the computer.\n","City":["rec4i8gbFcv2VKyTN","rec8uSJ38OPHUjT0K","recUMQM8XImPamDXT","recN6S853TXIb4i4l","rec25dAXUb7xReQP2","recAWtlKv9GtCDb2u","rec21KWVfuyLIzkso","recvAaU53D9hxsWZm","recq5f8wbnaGJpsWS","recjtwGtIy4tzwcDZ","recxlyWRiXiAwCAwT","rec1K8b0XYNMAB3f6"],"Events":["recx7kT7Awd6pl1yM","recLVUNomdLeevqku","recHYSd7LIaduHfgC","recjk4TwVfKZXX2oW","reciMSVbP3yIpEOAb","recBHdhbwQ8VRALYi","recMg2Dszo6bsewyY","rec34jATpMEHHe13m","recPpopbS9jllg0H2","rec6Vzs2t9kc9XkoP"]}},{"id":"recFfSVSj1PT4Tvkd","createdTime":"2024-08-30T23:50:39.000Z","fields":{"Project":"Acoustic Cello Works","Section":["Performance"],"MainPhoto":["recUEs1FLMM4Rb1cK"],"ProjectOrder":2,"ArtType":"Performance Series","ShortDescription":"Explorations in somatic sound with somatic movement","MediumDescription":"Selected works from bringing acoustic cello into spaces to live-score in contexts such as contact improv, sonic meditations, soundbaths, and more. Each offering is an exploration, finding new ways to use the cello and voice, along with technology to create improvisational and expressive soundscapes. \n","City":["recf2UJe414mqQpRw","rec4i8gbFcv2VKyTN","recUMQM8XImPamDXT"],"Events":["rechPZcEu1xo9hc51","recDdoCelWDdY5bEG","rechC3XX8WAwq05RN","recbna7YVHWy4FGnV","recYSjdIvsnXQ8nF6","recerCjLcdhBjLspj","recY3Mi43QfVSnfU8","recPYhZ8IeFuSNuOo","recIWuQpkd2K14epw","recvccMO7dEwArDrz","reciPe1X0BBmV6lcu","rec2u2AOmPsjnFQGM","recyqnGvL1z4Of0AI","rec2myXC4bw8piViN","recVy6743Md8JTAFF","recnlnMxvvJj169ac","recWd4ERDJbXyaP5k","recOqDr5PuxWtdTwX","recgnag4wxYdONQey"]}},{"id":"recFWLY6QCREcA8vN","createdTime":"2024-03-02T20:12:08.000Z","fields":{"Project":"Many Dawns","Notes":"Audiovisual performance by Andy Rolfes and Dan Gorelick exploring the present moment – how we exist at the crossroads of many different time-scales","Section":["Performance"],"Description":"$f","StartDate":"2022-07-21","EndDate":"2024-06-20","MainPhoto":["reczH70vPY7jaQTmg","recWZWdKsZNBK5MZl"],"ProjectOrder":3,"Video":"https://www.youtube.com/watch?v=h71ig7tejmo","GalleryOrder":4,"GalleryPhoto":["recWZWdKsZNBK5MZl"],"ShowInGallery":true,"ArtType":"Performance Series","ShortDescription":"Live scoring a journey through a world with dilated time","MediumDescription":"\"Many Dawns,\" a collaboration between Dan Gorelick and Andy Rolfes, is an immersive audio-visual piece that explores the present moment – how we exist at the crossroads of many different time-scales. The piece depicts a world with dilated time, featuring extended dawns, dusks, and accelerated days. The soundscape, created live with cascading cello loops and live-coded sequences, incorporates field recordings and real-time air traffic control radio chatter from around the world. The visuals, generated in real-time with Unreal Engine respond to the soundscape with a joystick and Rokoko motion capture glove. Our human experience is just a fleeting moment in the greater geological time-scale, and the piece creates a space to collectively reflect on the impact to and our responsibility to the planet. \"Many Dawns\" has been performed at Gray Area in San Francisco and Zerospace in Brooklyn, NY.\n","Associations":["reczT5lcyZZ6Rjkqy","recva9F2Bvfw7dO14","reczdME2nztQQbEJp","recHf6tI4byl2uwhI","rec4XY59SoMCSikWh","recHFnu3Qt38o7Yir"],"City":["rec4i8gbFcv2VKyTN","rec8uSJ38OPHUjT0K","recUMQM8XImPamDXT"],"Collaborators":["rec7lw9P2ER5xH4T4"],"Events":["reckazdp5X5rAM32O","reciOZ3tagrKvs9pC","recbEE6rEelIMDYkL","reca9WPpEgME3uoAN","rechbGMbQH6Yglp7J"]}},{"id":"recIah18nd5p8tPU6","createdTime":"2024-03-02T20:12:08.000Z","fields":{"Project":"Harmonic Essence","Notes":"Watch an undulating tapestry of shapes and patterns glide across the gallery walls, moving and changing in response to the sound of a live cello and guzheng performance. Highlighting the complexity and beauty of human expression in the digital age, this spontaneous dance between the technological and the organic offers audiences a shared moment of serene reflection. \n\nhttps://calendar.asianart.org/event/harmonic-essence-performance-and-artist-talk/","Section":["Performance"],"Description":"Harmonic Essence performance debuted at the Asian Art Museum in April 2024. Harmonic Essence is an immersive experience improvised by live-processed Guzheng and Cello with interactive visual design.\n\nPerformed on by:\n - Guzheng\n - Cello\n - Visual Artist\n\nProduced & Recorded/Mixed by \nAssistant Recording by \nat San Francisco Conservatory of Music\n\nOriginally performed on April 4th, 2024 at \nProduction Coordinator \nCinemaphotographer/Photographer \nAV Preparation by \n\nImmersive piece is on display at until the end of the year!\n","StartDate":"2024-04-04","EndDate":"2024-04-04","MainPhoto":["recUcon772JTt6tDE"],"ProjectOrder":4,"Video":"https://youtu.be/_xWq1xLrl30","GalleryOrder":5,"ShowInGallery":true,"ArtType":"Performance","ShortDescription":"Cross-cultural musical and visual performance exploring the role of human expression in the digital age","MediumDescription":"Watch an undulating tapestry of shapes and patterns glide across the gallery walls, moving and changing in response to the sound of a live cello and guzheng performance. Highlighting the complexity and beauty of human expression in the digital age, this spontaneous dance between the technological and the organic offers audiences a shared moment of serene reflection. \n\nCuratorial text by Asian Art Museum, 2024\n\n","Associations":["recd1HV76TEiA3Emj","recATVujiFMb9sP6a"],"City":["recUMQM8XImPamDXT"],"Collaborators":["recUy7C4ivUX0QBmF","recy0TBDFYyJj3D47"],"Events":["recYKhmRsaI3C7ExJ"]}},{"id":"recnsDKXKeOdoatEZ","createdTime":"2024-03-02T20:12:09.000Z","fields":{"Project":"Mitigation","Notes":"Audiovisual performance exploring digital artifacts in visual and audio. A collaboration and exploration with visualist Derrek Chow. Performed at Gray Area (SF), and in Brooklyn NY.","Section":["Performance"],"StartDate":"2023-06-14","EndDate":"2023-09-14","MainPhoto":["recWoTbt0YovKFES3","recl5NuZT2kqLfndU"],"ProjectOrder":5,"Video":"https://youtu.be/PwJgaui8GH8","GalleryOrder":9,"ShowInGallery":true,"ArtType":"Performance Series","ShortDescription":"Series to explore the expressive nature of digital artifacts in sound and visuals","MediumDescription":"An audio-visual collaboration with Derrek Chow, exploring ways to find expressive moments with technology– finding beauty in the tension between the abrasive audio-visual artifacts and the lush sounds of the cello.\n","Associations":["reczT5lcyZZ6Rjkqy"],"City":["rec4i8gbFcv2VKyTN","recUMQM8XImPamDXT"],"Collaborators":["recDpt8S5A9jmX2yy"],"Events":["recVUkiIe71sMrJGM","recPEZ0K2JiHnApcW","recGGzQAP0HyH3Gps"]}},{"id":"recBIoTRYeTdBzRvB","createdTime":"2024-03-02T20:12:09.000Z","fields":{"Project":"Cyber Somatic Ritual","Notes":"An immersive audio performance exploring somatic sound in a collective context, performed at VIU festival in Barcelona, and at Harvestworks in New York.","Section":["Performance"],"Description":"from ICLC submission\n\n\"Resonance Reverie: A Cybernetic Somatic Ritual\" is an immersive audio-visual experience which invites the audience to join in for a collective moment to ground, find presence, and reflect. The piece is a 20 to 30 minutes seated performance exploring how different audio and musical techniques can be used to evoke various somatic sensations; techniques such as stereo panning, beating between slightly out-of-tune notes, microsounds, and unquantized loops to create emergent and unpredictable melodies.\n","StartDate":"2024-04-18","EndDate":"2024-05-05","MainPhoto":["recW8eCetb3Qli8ls"],"ProjectOrder":6,"GalleryOrder":6,"ShowInGallery":true,"ArtType":"Performance","ShortDescription":"An electro-acoustic sonic meditation, blending acoustic cello with live-coded music ","MediumDescription":"$10","Associations":["recKBY42Vm1Dq3vLs","recbq6BBDw0iYzt1j"],"City":["rec1K8b0XYNMAB3f6","rec8uSJ38OPHUjT0K"],"Events":["recjgdBUbh2VikZU0","rec7innxFbYO7HII4"]}},{"id":"rec6kTrHgBeLr9GVG","createdTime":"2024-03-02T20:12:09.000Z","fields":{"Project":"Distributed Listening","Notes":"A collaboration with Francesco Corvi, a live immersive audio performance exploring feedback between cello, transducer, computer, and people. ","Section":["Performance"],"Description":"from NIME pdf in email\n\n“Distributed Listening” is an artistic project dealing with the concepts of distributed agency[9], machine listening\n[2, 3, 6] and adaptive sound processing[7, 8]. The focus of the project is the exploration of a miscellaneous technological\napparatus, where digital and electroacoustic instruments are situated in the same environment[4], sharing data in\nthe form of audio signals and descriptors. Particular relevance is given to how this shapes the functioning of each\ninstrument: as a mediator between performers, as a semi-autonomous agent able to exhibit adaptive behaviors and\nreact to the incoming data, and on its ability to influence the rest of the system.\n","StartDate":"2023-10-20","EndDate":"2024-09-05","MainPhoto":["rect4XhLlHssRPsc8"],"ProjectOrder":7,"Video":"https://youtu.be/1Apm95fhnj4","GalleryOrder":10,"ShowInGallery":true,"ArtType":"Performance","ShortDescription":"Deep listening with a feedback system between cello, computer system, and the space","MediumDescription":"A research project with collaborator Francesco Corvi, exploring new paradigms to relate to sound hopes to change the embodied way we approach the instruments we use to create sounds. \n\nThe project was presented at the 2024 NIME Conference in Utrecht. The following is the submitted description: \n\n“Distributed Listening” is a music performance dealing with the concepts of distributed agency machine listening and adaptive sound processing. The focus of the project is the exploration of a miscellaneous technological apparatus where digital and electroacoustic instruments are situated in the same environment sharing data in the form of audio signals and descriptors. Particular relevance is given to how this shapes the functioning of each instrument: as a mediator between performers as a semi-autonomous agent able to exhibit adaptive behaviors and react to the incoming data and on its ability to influence the rest of the system.\n\nText by Francesco Corvi, 2024\n","Associations":["reczR8ZhRxtSAG9c7","recB9pQNJKfmpOvlZ"],"City":["recvAaU53D9hxsWZm","recAWtlKv9GtCDb2u"],"Collaborators":["recjlG3KXTJ6Mk6wx"],"Events":["recojrJAUpYEOwASJ"]}},{"id":"rec2MWDl20R9d1B9E","createdTime":"2024-03-02T20:12:09.000Z","fields":{"Project":"Earth Church","Notes":"A gathering at Abney Chapel in London where we explore what it looks like to collectively grieve [expand upon this]","Section":["Performance"],"StartDate":"2024-04-21","EndDate":"2024-04-21","MainPhoto":["recgaTQzUTT26IuCp"],"ProjectOrder":8,"GalleryOrder":8,"ShowInGallery":true,"Audio":"https://w.soundcloud.com/player/?url=https%3A//api.soundcloud.com/tracks/1806347361%3Fsecret_token%3Ds-vCgATTjAKSB&color=%234c403e&inverse=false&auto_play=false&show_user=true","ArtType":"Gathering","ShortDescription":"A co-created space for collective grief around the earth","MediumDescription":"$11","City":["rec59fIUoMoyKwlrv"],"Collaborators":["recjeozeC3Qb4LkWQ","recgd5VWSs86bVpeh","recJ8BLp235CUROTU","receLMNWHxxEgrnAY","recZ9igILnsEeY3Sr"],"Events":["recOnmsHWY6quIgZl"]}},{"id":"rec0fDgsJky69FIx6","createdTime":"2024-03-02T20:12:09.000Z","fields":{"Project":"As We Grieve","Notes":"a multi-media immersive ritual performance piece that explores collective and personal grief in relation to genocide and ethnic cleansing in Palestine.","Section":["Performance"],"Description":"As We Grieve is a multi-media immersive ritual performance piece that explores collective and personal grief in relation to genocide and ethnic cleansing in Palestine. Through mediating the creative practices of Dan Gorelick, Raya Ward, and Marie-Terese Png, Bekah worked with each artist to create a container for a cross-disciplinary experimental work grounded in relational grief and communal support between the artists. As a catalyst, the piece centered contact with physical/sensory symbols of Palestinian land such as pomegranates, olive branches, sounds of mediterranean ocean and birds. Through poetry written by Marie-Terese Png, grief rituals and movement exploration by Raya Ward and Bekah Badilla, and music exploration and video/sound by Dan Gorelick, the piece’s first public exhibit took place at the Paper Kraine theatre in Manhattan. \n\nWritten by Bekah Badilla\n","StartDate":"2023-12-10","EndDate":"2023-12-10","MainPhoto":["rech9kjrs10fLn0es"],"ProjectOrder":9,"Video":"https://youtu.be/XXTADuf09dk","ArtType":"Performance","ShortDescription":"Immersive ritual piece explores collective and personal grief","MediumDescription":"As We Grieve is a multi-media immersive ritual performance piece that explores collective and personal grief in relation to genocide and ethnic cleansing in Palestine. Through mediating the creative practices of Dan Gorelick, Raya Ward, and Marie-Terese Png, Bekah worked with each artist to create a container for a cross-disciplinary experimental work grounded in relational grief and communal support between the artists. As a catalyst, the piece centered contact with physical/sensory symbols of Palestinian land such as pomegranates, olive branches, sounds of mediterranean ocean and birds. Through poetry written by Marie-Terese Png, grief rituals and movement exploration by Raya Ward and Bekah Badilla, and music exploration and video/sound by Dan Gorelick, the piece’s first public exhibit took place at the Paper Kraine theatre in Manhattan. \n\nText by Rebekah Badilla 2023\n","City":["rec8uSJ38OPHUjT0K"],"Collaborators":["recqVWo4HRN8nHLe8","recrAIccajtUdkgwd","recjeozeC3Qb4LkWQ"],"Events":["rec07oBxGZUC959jq"]}}],"Collaborations":[{"id":"recNTcmTyf3ctM5c0","createdTime":"2024-08-15T21:56:47.000Z","fields":{"Project":"Creative Code with Github","Notes":"Creating live code performances and sound pieces for Github with the mission to inspire developers to create art with code. 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There is so much creative potential that exists, and it is a gift to share work in these contexts and help share magical moments with other technologists.\n","Associations":["recdcJ3SaCQ9S8WzW"],"City":["recgrsugHCFEMxbdm","recUMQM8XImPamDXT"],"Collaborators":["recUy7C4ivUX0QBmF","recZanIVsjUflYTC7"],"Events":["recDOln23uep3YltT","recH1Ox8x1QiK2oDk","recgTluzFfWCUNt0U","recSD8dkmD20WPwBp","rec3lXUE04zP6p5zA"]}}]},"children":["$","$L6",null,{"parallelRouterKey":"children","segmentPath":["children"],"error":"$undefined","errorStyles":"$undefined","errorScripts":"$undefined","template":["$","$L8",null,{}],"templateStyles":"$undefined","templateScripts":"$undefined","notFound":[["$","title",null,{"children":"404: This page could not be found."}],["$","div",null,{"style":{"fontFamily":"system-ui,\"Segoe UI\",Roboto,Helvetica,Arial,sans-serif,\"Apple Color Emoji\",\"Segoe UI Emoji\"","height":"100vh","textAlign":"center","display":"flex","flexDirection":"column","alignItems":"center","justifyContent":"center"},"children":["$","div",null,{"children":[["$","style",null,{"dangerouslySetInnerHTML":{"__html":"body{color:#000;background:#fff;margin:0}.next-error-h1{border-right:1px solid rgba(0,0,0,.3)}@media (prefers-color-scheme:dark){body{color:#fff;background:#000}.next-error-h1{border-right:1px solid rgba(255,255,255,.3)}}"}}],["$","h1",null,{"className":"next-error-h1","style":{"display":"inline-block","margin":"0 20px 0 0","padding":"0 23px 0 0","fontSize":24,"fontWeight":500,"verticalAlign":"top","lineHeight":"49px"},"children":"404"}],["$","div",null,{"style":{"display":"inline-block"},"children":["$","h2",null,{"style":{"fontSize":14,"fontWeight":400,"lineHeight":"49px","margin":0},"children":"This page could not be found."}]}]]}]}]],"notFoundStyles":[],"styles":null}]}]}]]}]}]

Dan Gorelick

Mitigation

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